Photo courtesy of Flickr Commons State Library of Queensland, Young women running over a sand dune on an unidentified beach, ca. 1935, Photographer unknown
I have had such fun writing a short story Helena Beecham Investigates which introduces Helena and her friend Reggie Prendergast in a tribute to the detective stories of the 1920s and 30s - my favourite vintage! I'm looking forward to writing more adventures featuring this pair.
I have a real fascination with old photos (as you can see on my Bellamy Bird page of this website). I can spend hours looking at black and white photos from the 1930s and 40s on Flickr Commons. I found the above photo during a recent trip to Seattle and I fell in love with the character in each little face. The boy on the far right in the flying helmet should certainly have his own story - as of course he did. To me, it looks as though these children were outside running around when they were corralled to have their picture taken. I can sense their urgency to get back to their game.
I have gradually come to the realisation that the writing I am most enjoying nowadays is nature writing and this initially came as a surprise. I wondered if Robert Macfarlane’s masterpiece Landmarks was responsible. However, on reflection, I have always loved books which evoke a strong sense of place - including weather and landscape. Alexander McCall Smith's books about Botswana with Mma Ramotswe’s appreciation and love of the dry lands and the Botswanans’ attunement to and gratitude for the coming rains have long appealed to me as has Margery Allingham's writing about the estuarine coast of East Anglia where I grew up, so evocative I can almost smell the mud at low tide.
I recently wrote of my admiration for Patrick Leigh Fermor’s writing - Between the Woods and the Water in particular - this book is many things, travel writing, history, political analysis, reflection on literature and linguistics - all of which appeal to me - but it is also nature writing and I urge everyone to get their hands on a copy of any of PLF's books and devour it.
So, I have always loved writing with a strong sense of place including landscape and weather but during this last month I came across a book which is clearly labelled ‘Nature Essays’; not perhaps something I would usually pick up but I bought Braiding Sweetgrass by Native American author and Professor of Botany Robin Wall Kimmerer for my daughter who is fascinated by the historical uses for plants and also native peoples. However, once I started reading I couldn’t hand over the book until I had finished it. Not that it is a book one can rush through. It is such a thoughtfully written and thought-provoking book that I relished taking my time over each chapter. It is a moving and powerful book which stays with you well after you have finished reading it and I highly recommend it.
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Photo copyright Clare Havens 2016
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Clare grew up in Constable Country not far from East Trimley where Kate Summers and Detective Vicky Allard solve their local mysteries and where The Bellamy Bird is set. Clare lived for many years on a street in Manhattan just like the street where Bella and Felix live although she was never chased through Central Park at night by a couple of failed fashion-world gangsters. Clare now lives on a high cliff next to a lighthouse in Australia where she plots and writes with her faithful chocolate labrador by her side.
Clare Havens's books on Goodreads
The Secret Formula (Bella Street Mysteries, #1)
ratings: 38 (avg rating 4.08)
Writer's Block (Constable Country Mysteries #1)
ratings: 16 (avg rating 3.62)
Doc Gutson's Revenge (Bella Street Mysteries, #2)
ratings: 12 (avg rating 4.50)
The Bellamy Bird
ratings: 16 (avg rating 4.50)
Still Waters (Constable Country Mysteries 2)
ratings: 6 (avg rating 4.83)
Copyright 2011-2017 Clare Havens